May 22, 2019 · 7:04 PM

DADA Differently
Sophie Taeuber-Arp, Hannah Höch, Elsa von Freytag-Loringhoven

curated by Sabine Schaschl, Margit Weinberg Staber andEvelyne Bucher

In the exhibition “DADA Differently”, we focus on the three outstanding German-speaking artists Sophie Taeuber-Arp (1889–1943), Hannah Höch (1889–1978), and Elsa von Freytag-Loringhoven (1874–1927), who all contributed significantly to shaping the dada movement, which has had rather masculine connotations up until now. At the same time, the selection of these very different protagonists also marks the three geographical centers of the dada movement, which was first named as such in 1916 in Zurich, spread to Berlin, and found its American manifestation in New York.

Sophie Taeuber-Arp, König Hirsch: Clarissa, 1918, Museum für Gestaltung Zürich, Kunstgewerbesammlung © ZHdK
Sophie Taeuber-Arp, König Hirsch: Clarissa, 1918, Museum für Gestaltung Zürich, Kunstgewerbesammlung © ZHdK

For this exhibition project, the decisive factor was the observation that although a number of women played a part in dada, they were often overshadowed by their male colleagues Hans Arp, Raoul Hausmann, Marcel Duchamp, Man Ray, and Tristan Tzara. Closer examination reveals a diverse array of experimental works in various media, whereby the dada women’s multimedia and performance-based approaches in particular still appear surprisingly current. While the works of Sophie Taeuber-Arp and Hannah Höch are shown in exhibitions worldwide to this day, the oeuvre of the “Dada Baroness” Elsa von Freytag-Loringhoven is largely unknown, and yet, with her bizarre costumes, radical performances, readymades, and visual poems, she adopted one of the most provocative positions of her time. This exhibition combines numerous works from 1916–1923, which major collections in Switzerland and abroad have made available to us.

Exhibition trailer >>>



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May 22, 2019
7:00:00 PM CEST