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Dec 4, 2020 · 3:27 AM

Books / Publications

* NEW * Léon Wuidar, 2020

Catalog of the current exhibition

Squares, rectangles, polygons with curved edges, circles and circle segments, reflected, multiplied and placed opposite each other with various color contrasts – these are the key elements of the compositions that Léon Wuidar has been developing since the 1960s.

Léon Wuidar’s early paintings from the 1960s and 1970s are dominated by stylized architectural elements, such as columns, roofs or windows. In the 1980s, his vocabulary of forms became more minimalistic, whereas his color palette shifted from natural to brightly colorful hues. In his more recent works, which are sometimes also painted in pastel colors, wordplay can be found as well, conveying Wuidar's affinity with language and typography.

In-depth text by Sabine Schaschl, Museum Haus Konstruktiv
Interview by Hans Ulrich Obrist with Léon Wuidar

Publisher: Whitecube London
Language: English

CHF 34.00

Alicja Kwade, 2019

Linienland (LineLand)

Conceptual artist Alicja Kwade is a relativist who skeptically questions our supposed reality. In her multimedia work, she deals with the most diverse phenomena and models of physics, philosophy and sociology and translates them into her art.

Edited by Sabine Schaschl, Stiftung für konstruktive, konkrete und konzeptuelle Kunst, Museum Haus Konstruktiv

Publisher: Verlag für moderne Kunst
Language: German / English

CHF 36.00 / member 31.00

Camille Graeser und die Musik

The publication illustrates the relationship between art and music by Camille Graeser (1892 - 1980). His preoccupation with the music of Johann Sebastian Bach, Paul Hindemith and Arnold Schönberg paved the way for a new, concrete understanding of painting based on the basic elements of form and color. At the center of the catalog are Graeser's “Loxodromic Compositions” between 1947 and 1955, as well as the associated drawings and sketches by means of which the artist developed this new type of composition based on musical structures. The main feature compared to all other Graeser series of works is a moving, lyrical order of the individual forms.

Publisher Wienand
Language German

CHF 39.00

Camille Graeser

Design

While, known as the "Swiss style", constructive commercial graphics never lost relevance, the general interest in Swiss designers has increased in the recent years. They are in a line of tradition, which began in the 1930s with the representatives of the Swiss Werkbund and concrete painting. After an apprenticeship as a carpenter, Camille Graeser ran his own studio for interior design, graphics and product design in Stuttgart with Bernhard Pankok Möbelbau und Perspektiven in 1917. His functional furniture designs, which he presented 1924 at the Werkbund exhibition "Die Form ohne Ornament" attracted great interest. Even later, Graeser, who is more of a painter, is always right as a designer. Graeser's pioneering design ideas for furniture, interiors, typography, commercial graphics, wallpapers, textiles, shoes and tableware are documented in detail for the first time in text and images as a piece of design history.

Publisher Wienand
Language German

CHF 44.00

Camille Graeser

Vom Entwurf zum Bild

Sketches of ideas and draft drawings 1938–1978, published by the Camille Graeser Foundation in Zurich, was published on the occasion of the traveling exhibition of the same name in Haus Konstruktiv Zurich from June 11 to August 2, 2009 and in the Museum Ritter in Waldenbuch from May 8 to September 19, 2010.
With essays by Richard W. Gassen and Vera Hausdorff.

Publisher Wienand
Language German

CHF 39.50

Camille Graeser, 2020

The Making of a Concrete Artist

Camille Graeser is one of the great concrete artists from Zurich. But how did the furniture maker and designer with his own studio in Stuttgart come to create concrete, constructivist painting? Graeser’s talent as a painter accompanied him from the beginning and gained importance after his flight to Switzerland in 1933. This essay volume describes the period of upheaval in his biography as well as his artistic reorientation in Zurich and illustrates this with extensive source and archive material.

Edited by Vera Hausdorff, Roman Kurzmeyer, Camille Graeser Stiftung, Zürich
Preface by Sabine Schaschl, Museum Haus Konstruktiv

Publisher: Wienand
Language: German

CHF 51.00

KONKRETE GEGENWART, 2019

With the exhibition Concrete Contemporary - Now is always also a little of yesterday and tomorrow, we kept our promise to demonstrate the continuing influence of constructivist-concrete and conceptual art within contemporary works of art. Set out as a route that extends through all of Museum Haus Konstruktiv's floors, this exhibition combines different artistic approaches, positions and strategies - all of which show links to the nonrepresentational trends in 20th-century avantgarde art. Concrete Contemporary makes these points of reference clear so that art history can be experienced in new ways while also shedding light on the themes of contemporary art. For this publication, renowned art specialists were invited to contribute statements on the relevance of nonrepresentional art's historical developments to the contemporary art scene. The participating artists were given the opportunity to document their contribution to the exhibition with both images and text. The resulting texts either come from the artists themselves, from fellow artists, or from external experts, thus allowing the publication to paint a picture that is just as lively and multifaceted as a walk through the exhibition.

Edited by Sabine Schaschl, Stiftung für konstruktive, konkrete und konzeptuelle Kunst, Museum Haus Konstruktiv

With texts (d/e) by Max Glauner, Adam Jasper, Sabine Schaschl, Sabine Maria Schmidt, Wolfgang Ullrich und Margit Weinberg Staber 

Publisher: Verlag für moderne Kunst
Language: German / English

CHF 41.00 / member 36.00

OLIVIER MOSSET, 2019

TUTU

Olivier Mosset has been living in Tucson, Arizona since 1996; he was born in 1944 in Bern. Since the mid-1970s he has been a representative of so-called Radical Painting, an abstract-geometric conception of painting that made art history in 1977 with the exhibition Radical Painting in Williamstown, New York, which proved to be ­defining in terms of style. One of its ideals is to ­undermine artistic originality through objectivity and seriality. Starting point was the question of what painting actually is, and how it works. To this end, Olivier Mosset created a diverse oeuvre of monochrome as well as abstract-geometric works, suppressing any mystifying attribution of meaning. The exhibition and book exemplify this and offer a varied overview of Olivier Mosset’s work, from the black circular rings to the two-tone stripe paintings, and the stars and monochrome canvases, which in their execution are devoid of any distinct individual characteristics.

Edited by Sabine Schaschl, Stiftung für konstruktive, konkrete und konzeptuelle Kunst, Museum Haus Konstruktiv

Publisher: snoeck
Language: German / English

CHF 49.00 / member 43.00

IMI KNOEBEL, 2018

Good morning, little cat so white

Besides important key works such as Raum 19 III (1968/2006), Batterie (2005), and the 21-part complex of works from the so-called Core Pieces, this catalog presents new works of art created by the artist Imi Knoebel (*1940) especially for the exhibition Guten Morgen, weisses Kätzchen (Good morning, white kitten) at the Museum Haus Konstruktiv. They position Knoebel’s work in a dialogue with the historical legacy of constructive, concrete, and conceptual art. Along with many photographs of the works and the exhibition itself, the catalog also features texts by Sabine Schaschl, Max Wechsler, and Beat Wismer.

Edited by Sabine Schaschl
text(s) by Max Wechsler, Beat Wismer, Sabine Schaschl
graphic design by Harald Pridgar

Publisher Hatje Cantz
Language German / English

CHF 43.00 / member 39.00

After Constructivism

Brandon Taylor

When Constructivism emerged shortly after the Russian Revolution, its central principles concerned structure and efficiency in the work of art and the nature and properties of materials. In a series of eight essays, Brandon Taylor examines the origins of these principles and their extraordinary consequences for the rest of modern art. Even before Constructivism, structure was a vital ingredient in Cubist art. After it, ideas about faktura or the “madeness” of an art object—and about its rational organization—became stock-in-trade for De Stijl in Holland and Art Concret in France and bore decisively on other currents such as Surrealism and abstract art. After 1945, artistic movements including Systems, Kinetic and Minimal Art were all touched by the long reach of Constructivist ideals. Recent art has proved no exception. Taylor shows that casual attitudes to materials, even the collapse of Constructivist ideals, have helped form the artistic tenor of our times. Author: Brandon Taylor, Publisher Yale University Press New Haven and London. Language English.

CHF 85.00

Ulla von Brandenburg, 2016

It has a Golden Yellow Sun and an Elderly Grey Moon

A unique style which brings film, architecture and installation together in theatrical presentations: Ulla von Brandenburg can be rightly called one of Germany’s most exciting visual artists. What is special about the works of Ulla von Brandenburg is the way she explores relationships between people. Moreover, she is able to create stories which deal with the thresholds between reality and artifice. The German artist often uses historical source material and transforms it into the present. In this way she tacitly reveals the rules that govern our social reality. Her innovative mixture of film, drawing, installation and performance will allow the audience to see the interaction of language, exchange and colour. ACCA presents the art of Ulla von Brandenburg within the scenery of a baroque opera set and also published a book which documents the whole exhibition.

Publisher Mousse Publishing
Language English / Français

SALE CHF 39.00 instead of 49.00

Christian Herdeg, 2016

Lyrical Minimalism

Edited by Sabine Schaschl / Museum Haus Konstruktiv

Christian Herdeg (*1942 in Zurich, where he lives and works) has been experimenting for over 40 years with the medium of artificial light. He's a swiss pioneer artist in using luminescent lamps. The monograph shows important stages of his work from 1970 to this day. With contributions of Benno Schubiger, Yvonne Ziegler, Sabine Schaschl, Christian Herdeg, Deborah Keller, Daniel Morgenthaler.

Publisher Wienand Verlag
Language German / English

CHF 44.00 / member 39.00

Marlow Moss, 2017

A Forgotten Maverick

The British artist Marlow Moss (1889–1958) is one of the few early female Constructivists who inspired the great modernist masters. For instance, the so-called double line was one of her most important inventions, which she began employing in her paintings in 1930. It is one of the elements that both Piet Mondrian and Jean Gorin picked up on for their own neo-sculptural compositions. Even though they do not openly refer to her, their works are still closely related to Moss and they share her original, new ideas about art and composition. Unlike her contemporaries, Moss did not limit herself to painting. She applied her linear structures and mathematical principles to reliefs and sculptures as well. These aspects of her work, along with her unusual life, are discussed in detail in this exhibition cataloge.

Ed. Sabine Schaschl, Museum Haus Konstruktiv, Zürich, Stiftung für konstruktive, konkrete und konzeptuelle Kunst; Texts by Lucy Howarth, Ankie de Jongh-Vermeulen, Sabine Schaschl; Graphic design by Harald Pridgar

Publisher Hatje Cantz
Language German / English

CHF 42.00 / member CHF 39.00

Bernd Ribbeck, 2016

Charisma and Ecstasy

In cooperation with Sabine Schaschl / Museum Haus Konstruktiv.

Bernd Ribbeck (b. Cologne, 1974; lives and works in Berlin) is one of the most promising creators of abstract art today and often described as an exponent of “New Constructivism”. His small-format abstract paintings lend a fascinating depth and aura to shapes such as circles, ellipses, and triangles executed in lush colors. In a time-consuming creative process, Ribbeck works on primed fiberboard panels with acrylic paint and ballpoint and felt-tip pens before coating everything with a layer of white lacquer, much of which he subsequently scratches off. The resulting luminously colorful panels possess a forceful physical presence. The geometric and often symmetrical compositions he builds out of complex layerings of surfaces and lines reflect his engagement with a wide range of modernist aesthetic strategies in the work of artists such as Paul Klee, Lyonel Feininger, and others associated with the Bauhaus as well as the paintings of Robert Delaunay and Hilma af Klint. Yet despite these references, his work has the distinctive and timeless quality of genuine outsider art. The book, which includes an essay by Oliver Koerner von Gustorf and a conversation between Sabine Schaschl and Bernd Ribbeck, showcases a representative selection of more than 125 works from all periods in the artist’s oeuvre.

Publisher Distanz
Language German / English

SALE CHF 35.00 / member 30.00
instead of CHF 45.00 / member CHF 40.00

Collection catalogue, 2016

Thinking Outside the Box

What began in 1986 as a small circle of avid fans of constructive-concrete art, has since grown into a museum with an impressive collection. Today, the Haus Konstruktiv can name over 900 works as its own, including around 100 new additions just in the past five years. The Thinking Outside the Box volume on the collection is more than a mere continuation of the 2011 overview “Ganz Konkret”; it is a richly illustrated tour of the anniversary exhibition that presents the new acquisitions as well as key figures in constructive-concrete art. Contemporary guest interventions by Olaf Breuning, Claudia Comte, Martin Creed, Sylvie Fleury, Christian Jankowski, Yves Netzhammer, Nedko Solakov, Martin Walde, and WBG AG provide new commentary on the collection in a way that is as humorous as it is subversive. With articles by Bob Nickas, Burkhard Meltzer, Sabine Schaschl and Brandon Taylor, plus an interview with the museum’s first director, Margit Weinberg Staber.

Publisher Hatje Cantz
Language German / English

SALE
CHF 25.00
 instead of 67.00
member CHF 20.00 instead of 59.00 

Collection catalogue, 2011

COMPLETE CONCRETE

Reduction is very much in vogue again: ZERO is undergoing a major international revival, important Op artists are being rediscovered, and new art galleries with a contemporary platform are presenting the influential Conceptual artists of the sixties and seventies. In short, Constructive, Concrete, and Conceptual themes are once again absolutely up-to-date. Haus Konstruktiv has been working with precisely these themes for several years now. In nine chapters, Complete Concrete describes the more than one-hundred-year history of these three genres to the present day. Both group and solo projects by, among others, Georges Vantongerloo, Tobias Madison, and Magdalena Fernandez present the theme of art history as an exciting space in which the past and present resonate. This is the first publication to present the collection from Haus Konstruktiv, and it documents a cross-section of important stances from 1900 to 2010 in an intriguing and multifaceted way. An intriguing and multifaceted examination of the development of Concrete, Constructivist, and Conceptual Art.

Publisher Hatje Cantz
Language German / English

SALE
CHF 20.00
instead of 65.00
member 15.00 instead of 58.00 

Tobias Putrih, 2015

Solar Limb / Routine Inspection

Double catalog of the exhibitions “Routine Inspection” at steirischer herbst 2014 as well as “Solar Limb” at Haus Konstruktiv, Zurich. With contributions by Luigi Fassi, Andrei Pop, Sabine Schaschl & Kirsten Swenson

Edited by Sabine Schaschl, Luigi Fassi, Museum Haus Konstruktiv & steirischer herbst

Publisher gurgur edition 2015 / steirischer herbst 2015
Language German / English

CHF 30.00

Jürg Stäuble, 2017

Being More Than a System

Even though his three-dimensional sculptures and installations usually arise from mathematical ideas, construction drawings, and models, Jürg Stäuble (*1948 in Wohlen, Switzerland) is not a constructivist artist in the usual sense. For him, geometry is more a starting point than the goal, even though his works follow precise rules of play. Based on six-sided or circular structures, as well as on systems of order such as sequencing, displacement, layering, and interpenetration, the sculptures question the characteristics of space and its perception. Thus, his artistic interventions in the German-speaking parts of Switzerland often take place in architectural or public settings. This publication honors the Swiss artist’s approximately fifty years of creativity in the fields of Minimal Art, Land Art, and Conceptual Art.

Publisher: Hatje Cantz
Language German / English

CHF 49.00 / member CHF 44.00

Peter Hächler, 2015

First monograph about one of Switzerland’s most renowned sculptors and one of the most radical in terms of formal aesthetics

The publication will appear on the occasion of the exhibition “Peter Hächler - Metamorphosen” at Museum Haus Konstruktiv.

Publisher Scheidegger&Spiess
Language German / English

CHF 49.00

William Kentridge, 2015

The Nose

William Kentridge is one of the most highly regarded artists of our time. This publication is devoted to the multimedia cycle of works entitled “The Nose”. Here, the focus is on the video installation “I am not me, the horse is not mine”, which is based on Nikolai Gogol's 1836 surreal short story “The Nose” and has previously been shown, for instance, at the Tate Modern in London, in 2012. 

Publisher Walther König
Language German/English

CHF 190.00

Logical Emotion, 2014

Contemporary Art from Japan

In 2014, Japan and Switzerland celebrated the 150th anniversary of their diplomatic relations. On this occasion, the museum Haus Konstruktiv realized, in cooperation with the Japan Foundation, the exhibition project »Logical Emotion – Contemporary Art from Japan«. Based on the constructive-concrete and conceptual heritage of the Zurich Museum, Director Sabine Schaschl and Kenjiro Hosaka from the Museum of Modern Art Tokyo, curated an extensive group exhibition on contemporary Japanese art. Their presentation focused on logic and its supposed counterpart – emotion. The curators used various media as their source: painting, installation, video, photography and architecture, right up to applied art and manga drawings.

Publisher Snoeck
Language German/English

SALE CHF 25.- instead of 38.-

Quantum of Disorder, 2015

Edited by Irène Hediger und Sabine Schaschl

Publisher Christoph Merian
Language German/English

SALE CHF 20.-

Max Bill

No Beginning No End, second Edition 2018

First published to accompany a 2008 exhibition at the Museum Marta Herfordin Herford, Germany, this handsome volume displays Bill’s wide-ranging work and sets him in the context of his cultural milieu by featuring works by his contemporaries, such as Kurt Schwitters, Wassily Kandinsky, and Donald Judd. Accompanying essays investigate Bill’s influence on other artists and the lasting importance of his oeuvre in the present.

Verlag Scheidegger Spiess
Language German / Englisch

CHF 49.00

Mit subversivem Glanz

Max Bill und seine Zeit

It's the first biography about the great artist, designer, architect and homo politicus: Volume I (1908-1939) gives an insight into his childhood, the time at Bauhaus and his social ideals.

Publisher Scheidegger&Spiess
Language German

CHF 62.00

Tomás Saraceno, 2017

Aerosolar Journeys

Tomás Saraceno sees his multidisciplinary work as artistic research, in which he pursues the notion of a “realizable utopia”. Inspired by physical and biological phenomena, such as the thermodynamics of the atmosphere or the structures of spider webs, he works together with relevant experts, including biologists, engineers and architects, developing sensational works: enormous air-filled sculptures that float upwards, relying on nothing more than solar radiation and the infrared radiation from the Earth’s surface, or web structures that are as spectacular as they are delicate. His visionary projects can be linked to the Russian constructivists and suprematists Kazimir Malevich and El Lissitzky, who were already pursuing the notion of flying cities in their day. In response to global, ecological and societal challenges, Saraceno’s works act as models for future, sustainable living.

Editors Museum Haus Konstruktiv / Wilhelm-Hack-Museum

Publisher Walther König
Language German / English

CHF 45.00 / member CHF 40.00



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Dec 4, 2020
3:15:00 AM CET